{"title":"Varnish \u0026 Mediums","description":"\u003cp\u003eMediums, varnishes, and solvents extend what paint can do — changing its consistency, drying time, finish, or behaviour in ways that open up new techniques and results. Our varnish and mediums collection covers a comprehensive range of additives, solvents, and finishing products for oil, acrylic, and watercolour painting.\u003c\/p\u003e\u003cp\u003eFor oil painters, we stock linseed oil, stand oil, Winsor \u0026amp; Newton Liquin Original and other alkyd mediums, English Distilled Turpentine, Sansodor low-odour solvent, and a range of painting and glazing mediums. For acrylic painters, we carry Wallace Seymour acrylic mediums including gesso, impasto gel, and primer, alongside Winsor \u0026amp; Newton Galeria mediums. Varnishes are available in gloss, satin, and matt finishes for both oil and acrylic finished work.\u003c\/p\u003e\u003cp\u003eIf you are not sure which medium is right for your technique — whether to slow drying time, increase transparency, add texture, or protect a finished painting — visit us in store in Hebden Bridge or get in touch and we will be happy to advise.\u003c\/p\u003e","products":[{"product_id":"duraclear-matt-artstat-1","title":"Americana Varnish 59ml","description":"\u003cp\u003eAmericana general purpose varnish\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eBrush-on, non-yellowing, polyurethane varnishes that form a tough, flexible, clear finish that dries quickly. Can be used on most hard craft surfaces, both interior and exterior. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e Shake well before applying with a large, flat brush\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e20z\/59ml bottles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Artstat","offers":[{"title":"Gloss","offer_id":31730272927796,"sku":"ADGGV59","price":6.35,"currency_code":"GBP","in_stock":true},{"title":"Matt","offer_id":31730272960564,"sku":"ADGMV59","price":6.35,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/adgmv59.jpg?v=1769676733"},{"product_id":"seawhite-fixative-400ml","title":"Seawhite Spray Fixative — 400ml","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eImportant: This product is an aerosol and is subject to age restriction legislation. Proof of age confirming you are 18 or over is required at the point of purchase in store. Online orders may be subject to age verification before dispatch. We are required by law to refuse sale to anyone unable to provide proof of age.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA high-quality, colourless, shellac-based fixative for protecting finished and work-in-progress drawings in pastel, charcoal, pencil, graphite, chalk, crayon, and transfer lettering. The 400ml can is a generous, good-value size — tall and easy to handle — that gives considerably more coverage than the smaller format fixatives, making it a practical choice for artists who use fixative regularly or work at a larger scale.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe formulation is UV resistant, CFC-free, ozone-safe, and dries rapidly to a clear, colourless finish that does not discolour or yellow the drawing beneath. One of its most useful qualities is that it is a workable fixative — sprayed lightly over a drawing in progress, it stabilises the existing layers sufficiently to prevent smudging while leaving the surface receptive to further work. This makes it possible to build up multiple layers of pastel or charcoal in a way that would otherwise cause the medium to slide off the increasingly saturated paper surface. A heavier final application provides a more permanent protective coat for a finished piece, though many pastel artists prefer to leave the final surface layer unfixed — a matter of personal preference and working method.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe spray should be applied from a distance of approximately 25 to 30cm in light, even passes with the artwork held vertically or laid flat. Multiple light coats give a more even result than a single heavy application and reduce the risk of over-wetting the surface, which can temporarily darken some drawing media. Use in a well-ventilated space — the aerosol is flammable and should be kept away from naked flames and heat sources. Store the can away from direct sunlight and temperatures above 50°C.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eImportant safety information:\u003c\/strong\u003e Extremely flammable aerosol. Causes serious eye irritation. May cause drowsiness or dizziness. Harmful to aquatic life with long lasting effects. Use only in well-ventilated spaces. Keep away from heat, sparks, and naked flames. Pressurised container — do not pierce or burn even when empty.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat media does Seawhite Fixative work with?\u003c\/strong\u003e Pastel, soft pastel, oil pastel crayon, charcoal, pencil, graphite, chalk, and transfer lettering. It is not designed for use with wet media such as ink, watercolour, or acrylic.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat does workable fixative mean?\u003c\/strong\u003e A workable fixative stabilises existing drawing layers when sprayed lightly, allowing further work to be applied on top without disturbing what is beneath. This is distinct from a final fixative, which is applied more heavily to provide a permanent protective coat to a finished piece. Seawhite Fixative can be used in both ways depending on the amount applied.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow should it be applied?\u003c\/strong\u003e Hold the can approximately 25 to 30cm from the surface and spray in light, even passes. Apply multiple thin coats rather than a single heavy application. Allow each coat to dry before applying the next. Use in a well-ventilated space away from naked flames.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDoes it alter the appearance of the drawing?\u003c\/strong\u003e When applied correctly in thin coats it dries clear and colourless without significantly altering the appearance of the work. Over-application or spraying too close can temporarily darken some media — this usually lightens as the fixative dries, but thin, even application from the correct distance gives the most consistent results.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan it be used on all paper types?\u003c\/strong\u003e Yes — it is suitable for use on paper, card, and most common drawing surfaces.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhy is proof of age required?\u003c\/strong\u003e Aerosol products are subject to age restriction legislation in the UK under the Aerosol Dispensers Regulations. Sale to anyone under 18 is prohibited by law.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Seawhite","offers":[{"title":"Default Title","offer_id":31737222430772,"sku":"DAFS","price":9.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/55f5fe6e-b16f-4209-be1c-a9d700c005df_600x600_24d08e7c-b3e5-4605-88bc-e5d5a22cb7bb.jpg?v=1769676789"},{"product_id":"seawhite-acrylic-textile-medium","title":"Seawhite Acrylic Textile Medium","description":"\u003cp\u003eSeawhite Acrylic Textile Medium\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMix 50\/50 with acrylic paint\u003c\/li\u003e\n\u003cli\u003eApply the mixture to clean, pressed fabric\u003c\/li\u003e\n\u003cli\u003eHeat fix with iron on back of design, then your painted fabric is washable\u003c\/li\u003e\n\u003cli\u003eSize: 1 Litre\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Seawhite","offers":[{"title":"Default Title","offer_id":31737245237300,"sku":"PTVTEXT","price":14.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/41684bd6-1bdc-400d-9a44-6a22af899b6b_600x600_1c7ea8d6-cf4a-4d15-945e-77507f0331d3.jpg?v=1711904221"},{"product_id":"americana-image-transfer","title":"Americana Image Transfer","description":"\u003cp\u003eAdd old-world, European, shabby chic, or vintage imagery to your furniture and home décor accents.\u003c\/p\u003e\n\u003cp\u003eThe ideal, acid-free, clear medium for use with laser prints or copies. Transfer images to wood, glass, plastic, fabric, and more. Available in an 8 oz jar.\u003c\/p\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":31737971376180,"sku":"AADM10-36","price":14.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/aadm10-36.jpg?v=1584525683"},{"product_id":"galleria-acrylic-varnish","title":"Winsor \u0026 Newton Galeria Acrylic Varnish — Gloss, Satin and Matt — 500ml","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe same removable, water-based Galeria Acrylic Varnish available in a 500ml bottle — the practical choice for artists who varnish regularly, work at a larger scale, or simply prefer to buy in a size that goes further between purchases. All the same qualities apply: quick drying, non-yellowing, protective against dust and UV, and fully removable using Galeria Varnish Remover if the finish ever needs refreshing or correcting.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable in Gloss, Satin, and Matt — all three finishes are fully compatible and can be mixed together in any proportion to achieve a custom sheen level anywhere between fully matt and fully glossy.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFor full details on how to use each finish, drying times, application guidance, and advice on choosing between Gloss, Satin, and Matt, please see our 250ml listing.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhich finish should I choose?\u003c\/strong\u003e Gloss intensifies colour depth and gives a high-shine reflective surface. Matt produces a flat, non-reflective finish that reduces glare. Satin sits between the two — a soft, neutral sheen that is the most versatile default choice. All three can be mixed in any proportion to create a custom finish.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan the three finishes be mixed together?\u003c\/strong\u003e Yes — all three are fully compatible and can be mixed in any proportion. Mixing Gloss and Matt in equal parts produces a result very close to Satin.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs it removable?\u003c\/strong\u003e Yes — all three Galeria varnishes are removable using Winsor \u0026amp; Newton Galeria Varnish Remover, without damaging the painting beneath.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow many coats should I apply?\u003c\/strong\u003e Two to three thin coats give a more even result than one thick coat. Allow each coat to dry fully before applying the next.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Which Galeria varnish finish should I choose?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Gloss intensifies colour depth and gives a high-shine reflective surface. Matt produces a flat, non-reflective finish that reduces glare. Satin sits between the two — a soft, neutral sheen that is the most versatile default choice. All three can be mixed in any proportion to create a custom finish.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can the Galeria Gloss, Satin and Matt varnishes be mixed together?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — all three are fully compatible and can be mixed in any proportion. Mixing Gloss and Matt in equal parts produces a result very close to Satin.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is Winsor \u0026 Newton Galeria Acrylic Varnish removable?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — all three Galeria varnishes are removable using Winsor \u0026 Newton Galeria Varnish Remover, without damaging the painting beneath.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How many coats of Galeria Acrylic Varnish should I apply?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Two to three thin coats give a more even result than one thick coat. Allow each coat to dry fully before applying the next.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"Artstat","offers":[{"title":"Gloss","offer_id":31738115817524,"sku":"ACFGAV500G","price":21.5,"currency_code":"GBP","in_stock":true},{"title":"Matt","offer_id":31738115850292,"sku":"ACFGAV500M","price":21.5,"currency_code":"GBP","in_stock":true},{"title":"Satin","offer_id":31738115883060,"sku":"ACFGAV500S","price":21.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/10952-2.jpg?v=1584543518"},{"product_id":"acrylic-flow-improver","title":"Acrylic Flow Improver -","description":"\u003cspan\u003eWindsor \u0026amp; Newton Flow Improver is an additive that loosens the surface tension of water within the acrylic film. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt increases flow, allowing the artist to apply areas of flat colour evenly without changing the colour strength. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe increased flow is also ideal for masking applications (as the colour lays more smoothly and evenly against the taped edge) and for flowing, gestured water colour techniques. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFlow improver is also the best medium for “staining” applications. Flow improver should be used only in the amount needed to achieve the desired effect.\u003c\/span\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":31738581811252,"sku":"ACFGFI250","price":14.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/11166-2.jpg?v=1769676795"},{"product_id":"galleria-acrylic-gloss-medium","title":"Winsor \u0026 Newton Galeria Acrylic Medium — Gloss and Matt — 250ml","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe Galeria Gloss and Matt Mediums are the everyday workhorses of the Galeria acrylic medium range — straightforward, reliable, and genuinely useful for adjusting the consistency, finish, and handling of acrylic paint without compromising the paint film. Both increase the transparency of colour when mixed on the palette, making them the natural choice for glazing, layering, and any technique where translucency and depth of colour are the priority.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBoth mediums share the same core function. Mixed with acrylic colour, they increase transparency and flow, extending the paint while maintaining the integrity of the paint film — unlike water, which when added in excess can break down the binder and compromise the stability of the dried paint. They dry quickly to a flexible, durable finish and are fully compatible with all Galeria Acrylic colours and mediums. The distinction between the two is purely one of finish.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eGloss Medium\u003c\/strong\u003e dries to a high-shine, reflective finish that intensifies colour depth and luminosity. It is the preferred choice for glazing techniques, where thin, transparent layers of colour are built up over a dried base to create depth, richness, and optical colour mixing. The glossy surface between layers also helps subsequent glazes flow smoothly and evenly. It can be mixed with Matt Medium to reduce the sheen to any desired level between the two extremes.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eMatt Medium\u003c\/strong\u003e dries to a flat, non-reflective finish that gives colour a more understated, contemporary quality. It is well suited to painters who prefer a chalky, matte surface character, or who want to reduce the natural satin sheen of Galeria Acrylic paint. Like Gloss Medium it increases transparency when mixed with colour, making it equally useful for transparent layering — but with a flatter result on drying.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBoth can also be applied to the support before painting to create a more receptive, slightly absorbent ground, or used to seal and protect areas of finished work before applying additional layers.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat is the difference between a painting medium and a varnish?\u003c\/strong\u003e A painting medium is mixed with the paint during the painting process to alter its consistency, transparency, or finish. A varnish is applied as a separate protective layer over the completely finished and dried painting. Galeria Gloss and Matt Mediums are painting mediums — they are not a substitute for a final varnish layer.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat is the difference between Gloss and Matt Medium?\u003c\/strong\u003e Both increase transparency and flow when mixed with acrylic colour. The difference is the finish on drying — Gloss dries to a high-shine reflective surface, Matt dries to a flat non-reflective surface. The two can be mixed in any proportion to achieve any sheen level in between.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow are these different from the Galeria Gloss and Matt Varnishes?\u003c\/strong\u003e The mediums are mixed into the paint during painting to alter transparency and finish. The varnishes are applied over a completely finished and dried painting as a separate protective layer. They are different products for different purposes and should not be used interchangeably.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan Gloss and Matt Medium be mixed together?\u003c\/strong\u003e Yes — mixing them in different proportions gives complete control over the final sheen level, from fully matt through to fully glossy. This makes a single purchase of both mediums very versatile.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs adding medium better than adding water?\u003c\/strong\u003e For glazing and transparent work, yes — medium maintains the integrity of the acrylic binder while increasing flow and transparency. Water can be used in moderate amounts but when added in excess it breaks down the binder and weakens the paint film. For most glazing and flow applications, medium gives a more reliable and durable result.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eAre they compatible with other Galeria mediums?\u003c\/strong\u003e Yes — all Galeria mediums share the same acrylic binder and are fully intermixable with each other and with Galeria Acrylic paint.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What is the difference between a Galeria painting medium and a varnish?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"A painting medium is mixed with the paint during the painting process to alter its consistency, transparency, or finish. A varnish is applied as a separate protective layer over the completely finished and dried painting. Galeria Gloss and Matt Mediums are painting mediums — they are not a substitute for a final varnish layer.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What is the difference between Galeria Gloss and Matt Medium?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Both increase transparency and flow when mixed with acrylic colour. The difference is the finish on drying — Gloss dries to a high-shine reflective surface, Matt dries to a flat non-reflective surface. The two can be mixed in any proportion to achieve any sheen level in between.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How are Galeria Gloss and Matt Mediums different from the Galeria Varnishes?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The mediums are mixed into the paint during painting to alter transparency and finish. The varnishes are applied over a completely finished and dried painting as a separate protective layer. They are different products for different purposes and should not be used interchangeably.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can Galeria Gloss and Matt Medium be mixed together?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — mixing them in different proportions gives complete control over the final sheen level, from fully matt through to fully glossy. This makes a single purchase of both mediums very versatile.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is adding Galeria medium better than adding water to acrylic paint?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"For glazing and transparent work, yes — medium maintains the integrity of the acrylic binder while increasing flow and transparency. Water can be used in moderate amounts but when added in excess it breaks down the binder and weakens the paint film. For most glazing and flow applications, medium gives a more reliable and durable result.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Are Galeria Gloss and Matt Mediums compatible with other Galeria mediums?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — all Galeria mediums share the same acrylic binder and are fully intermixable with each other and with Galeria Acrylic paint.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"Artstat","offers":[{"title":"250ml","offer_id":31738601832500,"sku":"ACFGGM250","price":13.85,"currency_code":"GBP","in_stock":true},{"title":"Matt 250ml","offer_id":49131577573623,"sku":"","price":13.85,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/11169.jpg?v=1769676796"},{"product_id":"windsor-newton-liquin-original-250ml","title":"Winsor \u0026 Newton Liquin Original — 75ml and 250ml","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIf there is one oil painting medium that has earned genuine classic status, it is Liquin Original. Introduced by Winsor \u0026amp; Newton decades ago and refined since, it is the medium that more oil painters reach for more often than any other — used in art schools, professional studios, and home painting rooms the world over. The reason is simple: it does several things simultaneously that would otherwise require multiple products, and it does all of them reliably.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLiquin Original is an alkyd-based medium that halves the drying time of conventional oil paint. Where an unmodified oil colour might take days or weeks to become touch dry depending on the pigment, Liquin-modified paint is typically touch dry within one to six days — significantly faster depending on the colour and film thickness. This makes layered working, overpainting, and glazing considerably more practical, and is the reason Liquin has become so widely used by painters who work in multiple sessions rather than wet-into-wet alla prima.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBeyond accelerating drying, Liquin improves the flow of oil paint, making it easier to apply smooth, even layers without excessive brush marks. It reduces brush stroke retention — the tendency of thick paint to hold visible marks — producing a smooth, even paint film that is particularly well suited to detailed and representational work. The consistency is gel-like and semi-gloss, adding a slight luminosity to the finished surface. It is non-yellowing, which is an important long-term quality in any oil painting medium.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLiquin can be used as a general thinning medium in place of linseed oil or stand oil, thinned further with turpentine or low odour solvents if needed, and is compatible with all oil and alkyd colours. It is particularly well suited to glazing — thin, transparent layers of colour built up over a dry base — where the improved flow and faster drying make the technique considerably more accessible. It is not suitable for use as a varnish or final coat.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWe stock Liquin Original in 75ml and 250ml bottles. The 75ml bottle is a practical starting size for occasional use; the 250ml offers better economy for painters who use it regularly.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat does Liquin Original do?\u003c\/strong\u003e It halves the drying time of oil paint, improves flow, reduces brush stroke retention, and produces a smooth semi-gloss paint film. It is an alkyd-based medium compatible with all oil and alkyd colours.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow fast does oil paint dry with Liquin?\u003c\/strong\u003e Touch dry in one to six days depending on the pigment and film thickness — approximately half the drying time of unmodified oil colour. Some colours dry faster than others regardless of the medium used, so drying times will vary across the palette.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow do you use it?\u003c\/strong\u003e Mix a small amount of Liquin into oil paint on the palette in place of, or alongside, linseed oil. It can also be thinned with turpentine or low odour mineral spirits. Use the minimum amount needed — a little goes a long way. Do not use as a varnish or final coat.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan it be used for glazing?\u003c\/strong\u003e Yes — Liquin is particularly well suited to glazing. Its improved flow and faster drying time make it easier to apply thin, transparent layers of colour over a dried base, building up depth and luminosity in the painting gradually.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs it suitable for use with all oil paints?\u003c\/strong\u003e Yes — Liquin Original is compatible with all oil and alkyd colours. It is not suitable for use with water-mixable oil paints.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDoes it yellow over time?\u003c\/strong\u003e No — Liquin Original is formulated to resist yellowing, making it a reliable choice for finished work intended to last.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhich size should I choose?\u003c\/strong\u003e The 75ml bottle is a practical starting size for occasional use or for painters trying Liquin for the first time. The 250ml bottle offers better economy for painters who use Liquin regularly and go through it quickly.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does Winsor \u0026 Newton Liquin Original do?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"It halves the drying time of oil paint, improves flow, reduces brush stroke retention, and produces a smooth semi-gloss paint film. It is an alkyd-based medium compatible with all oil and alkyd colours.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How fast does oil paint dry with Liquin Original?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Touch dry in one to six days depending on the pigment and film thickness — approximately half the drying time of unmodified oil colour. Some colours dry faster than others regardless of the medium used, so drying times will vary across the palette.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How do you use Winsor \u0026 Newton Liquin Original?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Mix a small amount of Liquin into oil paint on the palette in place of, or alongside, linseed oil. It can also be thinned with turpentine or low odour mineral spirits. Use the minimum amount needed — a little goes a long way. Do not use as a varnish or final coat.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can Liquin Original be used for glazing?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — Liquin is particularly well suited to glazing. Its improved flow and faster drying time make it easier to apply thin, transparent layers of colour over a dried base, building up depth and luminosity in the painting gradually.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is Liquin Original suitable for use with all oil paints?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — Liquin Original is compatible with all oil and alkyd colours. It is not suitable for use with water-mixable oil paints.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does Winsor \u0026 Newton Liquin Original yellow over time?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No — Liquin Original is formulated to resist yellowing, making it a reliable choice for finished work intended to last.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Which size of Liquin Original should I choose?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The 75ml bottle is a practical starting size for occasional use or for painters trying Liquin for the first time. The 250ml bottle offers better economy for painters who use Liquin regularly and go through it quickly.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"Artstat","offers":[{"title":"250ml","offer_id":31747617390644,"sku":"RCFLO250","price":18.75,"currency_code":"GBP","in_stock":true},{"title":"75ml","offer_id":57075416072567,"sku":"RCFLO75","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/rcflo250.jpg?v=1769676810"},{"product_id":"windsor-newton-gum-arabic-75ml","title":"Winsor \u0026 Newton Gum Arabic - 75ml","description":"\u003cspan\u003eA pale coloured solution that controls the spread of wet colour, reduces staining \u0026amp; slows drying.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlso increases gloss \u0026amp; transparency.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDilute with water as required.\u003c\/span\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":31747780771892,"sku":"XCFGAS75","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/wnga.webp?v=1740145594"},{"product_id":"daler-rowney-poster-and-watercolour-varnish-75ml","title":"Daler Rowney Poster and Watercolour Varnish - 75ml","description":"\u003cstrong\u003ePoster and Watercolour Varnish\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eApply one coat for a glossy surface on watercolours, poster or gouache paintings and designs.\u003c\/span\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":31747783196724,"sku":"XDAPWCV75","price":9.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/xdapwcv75.jpg?v=1769676816"},{"product_id":"pebeo-drawing-gum-pen-1-pen-4mm","title":"Pebeo Drawing Gum Pen - 1 Pen 7mm","description":"\u003cspan\u003eRemovable masking fluid to keep specific areas white on a surface.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003euse the marker to apply the fluid and allow to dry.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eApply the colours in thin layers.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOnce completely dry, gently remove the fluid using a finger.\u003c\/span\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":31747785130036,"sku":"XPADGP7","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/Pebeo-Drawing-Gum-Pen-4mm.jpg?v=1769676818"},{"product_id":"creative-house-artists-refined-linseed-oil","title":"Creative House Artists Refined Linseed Oil","description":"\u003cspan\u003eReduces the consistency of oil colour and slows down drying time.  In its raw state, it gives colour a high gloss.  Diluted 50\/50 with Turpentine it creates an excellent medium for most types of painting.\u003c\/span\u003e","brand":"Artstat","offers":[{"title":"250ml","offer_id":31752163622964,"sku":"RBFRLO250","price":15.45,"currency_code":"GBP","in_stock":true},{"title":"500ml","offer_id":31752163655732,"sku":"RBFRLO500","price":26.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/rbfrlo250.jpg?v=1769676979"},{"product_id":"mod-podge-various-size-finish","title":"Mod Podge - Various size \u0026 Finish","description":"\u003cp\u003e\u003cspan\u003eMod Podge ® is quick-drying for multiple coat build up and dries clear. Can be sanded to a smooth finish. Cleans up easily while wet with soap and water. Certified AP non-toxic; waterbase. Mod Podge ® is an all in one decoupage glue, sealer and finish.\u003c\/span\u003e\u003c\/p\u003e","brand":"Colourcraft","offers":[{"title":"8 fl oz \/ Matte","offer_id":31782055346228,"sku":"MPMA8","price":11.75,"currency_code":"GBP","in_stock":true},{"title":"8 fl oz \/ Gloss","offer_id":31782055378996,"sku":"MPGL8","price":11.75,"currency_code":"GBP","in_stock":true},{"title":"16 fl oz \/ Matte","offer_id":31782055411764,"sku":"MPMA16","price":14.95,"currency_code":"GBP","in_stock":false},{"title":"16 fl oz \/ Gloss","offer_id":31782055444532,"sku":"MPGL16","price":14.95,"currency_code":"GBP","in_stock":true},{"title":"2 fl oz \/ Matte","offer_id":57457180737911,"sku":"MP2MAT","price":3.99,"currency_code":"GBP","in_stock":true},{"title":"2 fl oz \/ Gloss","offer_id":57457180770679,"sku":null,"price":3.99,"currency_code":"GBP","in_stock":false},{"title":"4 fl oz \/ Matte","offer_id":57457346085239,"sku":"MP4MAT","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/65542152-2a0c-4209-952f-1309d19d06eb.jpg?v=1769677252"},{"product_id":"winsor-newton-colourless-art-masking-fluid-75ml","title":"Winsor \u0026 Newton Colourless Art Masking Fluid - 75ml","description":"\u003cp\u003eUnpigmented, removable liquid mask for watercolour painting.\u003c\/p\u003e\n\u003cp\u003eNon staining.\u003c\/p\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":36052288012444,"sku":"XCFCAMF75","price":9.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/wnamf.jpg?v=1740145804"},{"product_id":"winsor-newton-galeria-sand-texture-gel-250ml","title":"Winsor \u0026 Newton Galeria Sand Texture Gel — 250ml","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAdding texture to an acrylic painting is one of the most direct ways to give a surface physical presence — and sand is one of the most natural and appealing textures to work with. The temptation to simply mix beach or garden sand into acrylic paint is understandable, but it comes with a significant practical problem: natural sand contains impurities that can seriously compromise the chemistry of the paint film over time, leading to cracking, instability, and deterioration. Winsor \u0026amp; Newton Galeria Sand Texture Gel solves this by using refined and purified sand — processed to remove impurities — suspended in an acrylic gel medium that is fully compatible with acrylic paint and dries to a durable, stable, long-lasting finish.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe texture is fine and even in grain, giving a consistent sandy surface quality rather than the unpredictable variation of unprocessed sand. It is finer than the pumice particle used in mineral or large grain texture gels, making it well suited to subjects and applications where a naturalistic sandy or rough ground texture is needed without excessive coarseness — beaches, stone, earth, rough plaster, aged surfaces, and mixed media grounds among them.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe gel can be used in two ways. Mixed directly with acrylic colour on the palette, it adds body, volume, and texture to the paint itself, allowing textured marks to be made in colour. Used alone and applied to the canvas or support before painting, it creates a colourless textured ground that can be overpainted once dry — giving the texture independence from the colour applied on top. Both approaches can be combined in the same work. The gel can be applied with a brush or a palette knife, and dries without yellowing. All Galeria mediums share the same acrylic binder as Galeria Acrylic paint and are fully intermixable with one another.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat is the difference between Sand Texture Gel and Mineral Texture Gel?\u003c\/strong\u003e The key difference is grain size and character. Sand Texture Gel uses refined purified sand with a fine, even grain — producing a smooth, consistent sandy texture. Mineral Texture Gel uses pumice, which has a coarser, more irregular particle and produces a rougher, more granular surface. Sand is the finer and more controlled of the two for applications where a naturalistic sandy texture is needed.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan it be mixed directly with acrylic paint?\u003c\/strong\u003e Yes — mix it on the palette with acrylic colour to add texture and volume to the paint itself. The purified sand will not compromise the paint film chemistry, unlike unprocessed natural sand.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan it be applied to the canvas before painting?\u003c\/strong\u003e Yes — apply it to the dry support with a brush or palette knife and allow it to dry completely before painting over it. This creates a textured ground onto which colour can be washed, glazed, or painted in any technique.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDoes it dry clear?\u003c\/strong\u003e Yes — used alone it dries to a colourless finish, allowing the texture to be revealed entirely through the paint applied over it.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDoes it yellow over time?\u003c\/strong\u003e No — the acrylic gel binder is formulated to resist yellowing, keeping the surface stable and colour-neutral over time.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs it compatible with other Galeria mediums?\u003c\/strong\u003e Yes — all Galeria mediums share the same acrylic binder and are fully intermixable with each other and with Galeria Acrylic paint.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What is the difference between Galeria Sand Texture Gel and Mineral Texture Gel?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The key difference is grain size and character. Sand Texture Gel uses refined purified sand with a fine, even grain — producing a smooth, consistent sandy texture. Mineral Texture Gel uses pumice, which has a coarser, more irregular particle and produces a rougher, more granular surface. Sand is the finer and more controlled of the two for applications where a naturalistic sandy texture is needed.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can Galeria Sand Texture Gel be mixed directly with acrylic paint?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — mix it on the palette with acrylic colour to add texture and volume to the paint itself. The purified sand will not compromise the paint film chemistry, unlike unprocessed natural sand.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can Galeria Sand Texture Gel be applied to the canvas before painting?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — apply it to the dry support with a brush or palette knife and allow it to dry completely before painting over it. This creates a textured ground onto which colour can be washed, glazed, or painted in any technique.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does Galeria Sand Texture Gel dry clear?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — used alone it dries to a colourless finish, allowing the texture to be revealed entirely through the paint applied over it.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does Galeria Sand Texture Gel yellow over time?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No — the acrylic gel binder is formulated to resist yellowing, keeping the surface stable and colour-neutral over time.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is Galeria Sand Texture Gel compatible with other Galeria mediums?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — all Galeria mediums share the same acrylic binder and are fully intermixable with each other and with Galeria Acrylic paint.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":43734364651767,"sku":"ACFGSTG250","price":15.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/products\/acfgstg250.jpg?v=1675340961"},{"product_id":"impasto-gel-gloss","title":"Impasto Gel Gloss - Acrylic - 250ml","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAcrylic Impasto Gel Gloss is a full-bodied glossy gel paste for use with acrylic colour. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHighly flexible, transparent upon drying, non-yellowing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Mix in any proportion with acrylic colour, to create impasto layers of up to 1-3cm thickness. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdds high level of gloss to acrylic paint.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Can also be used as an adhesive to embed material into\/onto the paint film, for collage work ,etc. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCan be diluted with water as required. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eClean brushes, tools, etc with water.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":44488954544375,"sku":"AM06\/250","price":17.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/impastogelgloss.jpg?v=1711475038"},{"product_id":"impasto-gel-matt-acrylic","title":"Impasto Gel Matt - Acrylic - 250ml","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAcrylic Impasto Gel Matt is a full-bodied glossy gel paste for use with acrylic colour. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHighly flexible, transparent upon drying, non-yellowing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Mix in any proportion with acrylic colour, to create impasto layers of up to 1-3cm thickness. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdds high level of gloss to acrylic paint.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Can also be used as an adhesive to embed material into\/onto the paint film, for collage work ,etc. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCan be diluted with water as required. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eClean brushes, tools, etc with water.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":44489008906487,"sku":"AM07\/250","price":17.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/impastomatt.jpg?v=1711475482"},{"product_id":"fluid-gloss-acrylic-medium","title":"Fluid Gloss Acrylic Medium - 250ml","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-12 col-sm-12\"\u003e\n\u003cdiv class=\"col-md-12 panel\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-8 col-xs-12\"\u003eAcrylic Medium, Fluid Gloss is a painting medium for use with acrylic colours. Fluid consistency: ideal for adding to colour to enhance gloss and retain substance within the paint film. Can be diluted with water as required. Clean brushes, tools, etc with water.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfooter\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/footer\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMix it with acrylic paints to improve flow, increase transparency, and extend drying time, allowing you to work with ease and precision. Or, apply it as a clear glaze over dry paint layers to achieve a brilliant, glossy finish that enhances color vibrancy and depth.\u003c\/p\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":44489103474935,"sku":"AM01\/250","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/acrylicfluidgloss.jpg?v=1711476192"},{"product_id":"fluid-matt-acrylic-medium","title":"Fluid Matt Acrylic Medium - 250ml","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-md-12 col-sm-12\"\u003e\n\u003cdiv class=\"col-md-12 panel\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-8 col-xs-12\"\u003e\u003cspan\u003eAcrylic Medium, Fluid Matt is a painting medium for use with acrylic colour. Fluid consistency: ideal for adding to colour to provide a flat, matt finish and retain substance within the paint film. Can be diluted with water as required. Clean brushes, tools, etc with water\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":44489113403639,"sku":"AM02\/250","price":11.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/fluidMatt.jpg?v=1711476382"},{"product_id":"acrylic-varnish-gloss","title":"Acrylic Varnish Gloss - 250ml","description":"\u003cspan data-mce-fragment=\"1\"\u003eAcrylic Varnish Gloss is a final picture varnish for dried acrylic paintings - water-thinnable. Over dried acrylic paintings, Acrylic Varnish Gloss can be used to change the surface appearance of the dried paint film. Provides a high gloss finish. In general, acrylic paintings should be left to dry out for at least two weeks before application of varnish layers. Dries to a tough, nominally scratch-proof finish. Non-yellowing. Contains a UV filter which helps to deflect the action of light on painted surfaces. Can be diluted with water as required. Clean brushes, tools, etc with water\u003c\/span\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":44489158918391,"sku":"AM10\/250","price":15.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/GlossVarnish.jpg?v=1711476709"},{"product_id":"acrylic-varnish-matt","title":"Acrylic Varnish Matt - 250ml","description":"\u003cspan\u003eAcrylic Varnish Matt is a final picture varnish for dried acrylic paintings - water-thinnable. Over dried acrylic paintings, Acrylic Varnish Matt can be used to change the surface appearance of the dried paint film. Provides a flat matt finish. In general, acrylic paintings should be left to dry out for at least two weeks before application of varnish layers. Dries to a tough, nominally scratch-proof finish. Non-yellowing. Contains a UV filter which helps to deflect the action of light on painted surfaces. Can be diluted with water as required. Clean brushes, tools, etc with water.\u003c\/span\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":44489160360183,"sku":"AM11\/250","price":15.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/VarnishMatt.jpg?v=1711476838"},{"product_id":"co-co-bello-painting-medium-for-oils-250ml","title":"Co Co Bello Painting Medium for Oils - 250ml","description":"\u003cp data-mce-fragment=\"1\"\u003eCo Co Bello presents an excellent alternative to conventional solvents like turpentine and white spirit. This plant-based solution is non-toxic and poses no hazards, making it perfectly suitable for use in enclosed spaces.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith virtually no scent and zero VOC emissions, Co Co Bello ensures a comfortable painting environment. Its safety features extend to educational settings, as it doesn't necessitate any warning labels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs a traditional oil painting medium, Co Co Bello aids in preserving the inherent luster of oil paints, offering artists both effectiveness and peace of mind.\u003c\/p\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":44489579299063,"sku":"Co Co Painting Medium 250","price":15.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/cocobellomedium.jpg?v=1711480237"},{"product_id":"copy-of-co-co-bello-fast-drying-oil-glaze-250ml","title":"Co Co Bello Veneto Medium - 250ml","description":"\u003cp\u003eCo Co Bello Veneto Medium.\u003c\/p\u003e\n\u003cp\u003eThis high-gloss painting medium is specifically crafted for transparent glazing techniques with oil colors. It comprises a blend of Venice Turpentine, polymerized linseed oil, dammar varnish, and Co Co Bello diluent, ensuring optimal performance and versatility.\u003c\/p\u003e\n\u003cp\u003eNotably, this medium is formulated without drying agents, allowing artists greater control over their glazing process. Elevate your oil painting experience with Co Co Bello Veneto Medium, designed to enhance transparency and achieve stunning luminosity in your artwork.\u003c\/p\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":44489589588215,"sku":"Co Co Veneto Medium 250","price":20.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/VenetoMedium.jpg?v=1711480901"},{"product_id":"co-co-bello-natural-painting-medium-250ml","title":"Co Co Bello Diluent Natural Painting Medium - 250ml","description":"\u003cp data-mce-fragment=\"1\"\u003eCo Co Bello Natural Painting Diluent.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCo Co Bello represents a groundbreaking plant-based solution, serving as a natural and odorless oil painting diluent. It offers a superior alternative to conventional paint thinners like turpentine or white spirits.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDiverging from traditional oil painting thinners, Co Co Bello boasts non-hazardous and non-flammable properties, eliminating the need for any hazardous or dangerous labeling. Experience a safer and more environmentally friendly approach to your oil painting endeavors with Co Co Bello Natural Painting Diluent.\u003c\/p\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":44489626058999,"sku":"Co Co Painting Medium 250","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/CoCopaintingmedium.jpg?v=1711481302"},{"product_id":"co-co-bello-soap-block-for-cleaning-brushes","title":"Co Co Bello Soap Block for Cleaning Brushes","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eCo Co Bellow Soap Blockj,  a plant-based, solvent-free soap enriched with olive oil.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e Perfect for effortlessly cleaning oil paint from both hands and brushes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eDeveloped by Wallace Seymour, this oil medium offers a natural solution for your artistic needs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":44489634939127,"sku":"Co Co Brush Block","price":15.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/cocoblock.jpg?v=1711481592"},{"product_id":"galeria-acrylic-matt-varnish-250ml","title":"Winsor \u0026 Newton Galeria Acrylic Varnish — Gloss, Satin and Matt — 250ml","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA finished acrylic painting deserves protection. Without a varnish layer, the surface is vulnerable to dust, dirt, grease, and UV light — all of which will gradually degrade the appearance of the work over time. Winsor \u0026amp; Newton Galeria Acrylic Varnish provides that protection in a formula that is straightforward to apply, quick to dry, and — crucially — removable if you ever need to re-varnish or correct the finish. We stock all three available finishes: Gloss, Satin, and Matt.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAll three Galeria varnishes share the same core qualities. They are water-based, low odour, and easy to apply with a soft brush in thin, even coats. They dry quickly — typically within 30 to 60 minutes — to a smooth, even finish that protects the painting surface from the build-up of dirt and grease without yellowing or affecting the underlying colours. All three are removable using Galeria Varnish Remover, which means the finish is not a permanent decision — if the sheen level is wrong, or if the varnish picks up dirt over time and needs refreshing, it can be safely removed and reapplied without damaging the painting beneath.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe three finishes can also be mixed together in any proportion to create a custom sheen level between the extremes. Adding Matt Varnish to Gloss Varnish reduces the sheen progressively — which means a single purchase of Matt and Gloss gives you complete control over any finish from fully matt through to fully glossy, with Satin sitting naturally in the middle of that range.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe painting should be completely dry before varnishing — allow at least 24 hours for thin acrylic layers and longer for thicker or impasto work. Apply in two or three thin coats rather than one thick coat for the most even result.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eGloss\u003c\/strong\u003e produces a high-shine, reflective finish that intensifies colour depth and gives the painting a rich, luminous quality. It is the most dramatic of the three finishes and suits bold, colourful work particularly well.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eSatin\u003c\/strong\u003e sits between Gloss and Matt — a soft, semi-reflective finish that gives the painting a gentle sheen without the full reflectivity of gloss. It is often considered the most neutral and natural-looking finish, and is a popular choice for painters who want protection without a strong visual effect on the surface.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eMatt\u003c\/strong\u003e produces a flat, non-reflective finish that reduces glare and gives the painting a more understated, contemporary appearance. It is the preferred choice for work intended to be photographed, displayed under strong lighting, or where a glossy surface would feel inappropriate to the subject matter.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow long should I leave an acrylic painting before varnishing?\u003c\/strong\u003e Allow at least 24 hours for thin acrylic layers to dry fully before applying varnish. For thicker or impasto work, allow considerably longer — several days to a week — to ensure the paint is dry all the way through rather than just on the surface. Applying varnish over incompletely dried paint can trap moisture and cause problems with the finished surface.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan I remove the varnish if I am not happy with the finish?\u003c\/strong\u003e Yes — all three Galeria varnishes are removable using Winsor \u0026amp; Newton Galeria Varnish Remover, which lifts the varnish layer cleanly without damaging the painting beneath. This makes the choice of finish reversible and allows re-varnishing when needed.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan the three finishes be mixed together?\u003c\/strong\u003e Yes — all three are fully compatible and can be mixed in any proportion to create a custom sheen level. Mixing Matt and Gloss in equal parts produces a result very close to Satin. This gives complete flexibility over the final appearance of the surface from a single combination of products.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhich finish should I choose?\u003c\/strong\u003e Gloss suits bold, colourful work and gives the greatest depth of colour. Matt suits understated, contemporary work and reduces glare under strong lighting. Satin is the most neutral and versatile finish and is a good default choice if you are unsure. All three can be mixed to achieve any sheen level in between.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow many coats should I apply?\u003c\/strong\u003e Two to three thin coats give a more even result than a single thick coat. Allow each coat to dry fully before applying the next.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat size is the bottle?\u003c\/strong\u003e 250ml — sufficient for varnishing multiple paintings.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How long should I leave an acrylic painting before varnishing?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Allow at least 24 hours for thin acrylic layers to dry fully before applying varnish. For thicker or impasto work, allow considerably longer — several days to a week — to ensure the paint is dry all the way through rather than just on the surface. Applying varnish over incompletely dried paint can trap moisture and cause problems with the finished surface.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can I remove the Galeria varnish if I am not happy with the finish?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — all three Galeria varnishes are removable using Winsor \u0026 Newton Galeria Varnish Remover, which lifts the varnish layer cleanly without damaging the painting beneath. This makes the choice of finish reversible and allows re-varnishing when needed.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can the Galeria Gloss, Satin and Matt varnishes be mixed together?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — all three are fully compatible and can be mixed in any proportion to create a custom sheen level. Mixing Matt and Gloss in equal parts produces a result very close to Satin. This gives complete flexibility over the final appearance of the surface from a single combination of products.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Which Galeria varnish finish should I choose?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Gloss suits bold, colourful work and gives the greatest depth of colour. Matt suits understated, contemporary work and reduces glare under strong lighting. Satin is the most neutral and versatile finish and is a good default choice if you are unsure. All three can be mixed to achieve any sheen level in between.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How many coats of Galeria varnish should I apply?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Two to three thin coats give a more even result than a single thick coat. Allow each coat to dry fully before applying the next.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"Artstat","offers":[{"title":"Gloss","offer_id":54959395799415,"sku":"ACFGAV250G","price":13.65,"currency_code":"GBP","in_stock":true},{"title":"Matt","offer_id":54959395832183,"sku":"ACFGAV250M","price":13.65,"currency_code":"GBP","in_stock":true},{"title":"Satin","offer_id":57073727897975,"sku":"ACFGAV250S","price":13.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/acfgav250m.jpg?v=1713433692"},{"product_id":"co-co-bello-fast-drying-oil-glaze-250ml","title":"Co Co Bello Fast Drying Oil Glaze - 250ml","description":"\u003cp data-mce-fragment=\"1\"\u003eCo Co Bello presents an excellent alternative to conventional solvents like turpentine and white spirit. This plant-based solution is non-toxic and poses no hazards, making it perfectly suitable for use in enclosed spaces.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith virtually no scent and zero VOC emissions, Co Co Bello ensures a comfortable painting environment. Its safety features extend to educational settings, as it doesn't necessitate any warning labels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs a traditional oil painting medium, Co Co Bello aids in preserving the inherent luster of oil paints, offering artists both effectiveness and peace of mind.\u003c\/p\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":44778096132343,"sku":null,"price":15.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/1A6C1065-1230-4A6E-8D48-24C9F4239F50.webp?v=1714312171"},{"product_id":"masters-brush-cleaner-and-preserver","title":"Masters Brush Cleaner and Preserver","description":"\u003cp class=\"whitespace-pre-wrap break-words\"\u003eThis top-notch brush cleaner gets rid of all kinds of paint - oils, acrylics, watercolors - plus stains and varnishes.\u003c\/p\u003e\n\u003cp class=\"whitespace-pre-wrap break-words\"\u003eIt won't harm any type of brush, whether you've got synthetics or fancy sables. It's great at stopping that annoying hardening and gunk build-up you often get with acrylics.\u003c\/p\u003e\n\u003cp class=\"whitespace-pre-wrap break-words\"\u003eBut it doesn't just clean. This stuff actually makes your brushes better - they'll hold more paint and lay it down nice and smooth.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Global Art Supplies","offers":[{"title":"Default Title","offer_id":49013225881847,"sku":"MAST-56315","price":17.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/masters.jpg?v=1724339425"},{"product_id":"picene-violin-varnish-venice-turpentine","title":"\"Picene\" Violin Varnish - Venice Turpentine","description":"\u003cp\u003eVenice Turpentine\u003c\/p\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":49111141646583,"sku":"VIVT100","price":27.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/venicecopy.png?v=1739351234"},{"product_id":"wallace-seymour-stand-oil","title":"Wallace Seymour Stand Oil","description":"\u003cdiv class=\"rte caption\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eStand Oil is a modified form of Linseed Oil, produced through a special heating process in an oxygen-free, sealed vessel.\u003c\/div\u003e\n\u003cdiv class=\"rte caption\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"rte caption\"\u003eThis heating triggers polymerization, resulting in a thicker consistency and enhanced elasticity compared to regular Cold Pressed or Alkali-refined Linseed Oils.\u003c\/div\u003e\n\u003cdiv class=\"rte caption\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"rte caption\"\u003eWhen mixed with oil paints in small amounts (10-20%), Stand Oil increases the paint's glossiness and flexibility, helping to eliminate visible brush strokes.\u003c\/div\u003e\n\u003cdiv class=\"rte caption\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"rte caption\"\u003eUnlike many other oil mediums, Stand Oil resists yellowing over time, making it particularly valuable for glazing techniques. For thinner applications, artists can mix it with either Turpentine or Shellsol T.\u003c\/div\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":49189095178487,"sku":"","price":23.15,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/wsstand.webp?v=1730277593"},{"product_id":"alkali-refined-cold-pressed-linseed-oil-250ml","title":"Alkali Refined Cold Pressed Linseed Oil - 250ml","description":"\u003cp class=\"whitespace-pre-wrap break-words\"\u003eLinseed Oil, derived from flax seeds, serves as the primary binding agent in oil paint. All Refined Linseed Oils naturally darken and yellow with age. Wallace Seymour uniquely offers unbleached Refined Linseed Oil, allowing artists to see its true color while painting - the same color that bleached oils eventually develop over time.\u003c\/p\u003e\n\u003cp class=\"whitespace-pre-wrap break-words\"\u003eRefined Linseed Oil excels in creating painting grounds, particularly for making half-oil grounds by combining it with whiting, titanium white, and rabbit glue in an emulsion. It's also effective when mixed with egg to create tempera grasse (an egg-oil emulsion). However, for mixing with dry pigments to make paint, Cold Pressed Linseed Oil (flax oil) is the better choice.\u003c\/p\u003e\n\u003cp class=\"whitespace-pre-wrap break-words\"\u003eWhen added to oil paints, Linseed Oil:\u003c\/p\u003e\n\u003cul class=\"-mt-1 list-disc space-y-2 pl-8\" depth=\"0\"\u003e\n\u003cli class=\"whitespace-normal break-words\" index=\"0\"\u003eEnhances gloss and transparency\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\" index=\"1\"\u003eThins the paint for better flow\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\" index=\"2\"\u003eReduces visible brush marks\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\" index=\"3\"\u003eExtends drying time\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\" index=\"4\"\u003eCan increase the \"fat\" content in painting mediums\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":49189098029303,"sku":"OM\/21\/250","price":25.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/wsallin.webp?v=1730278156"},{"product_id":"low-odour-mineral-solvent-shelsol-t-100ml","title":"Low Odour Mineral Solvent - Shelsol T","description":"\u003cp class=\"whitespace-pre-wrap break-words\"\u003eShellsol T offered by Wallace Seymour is a mineral-based solvent that provides a gentle-smelling alternative to traditional Turpentine. It serves two main purposes: cleaning oil painting brushes and thinning oil paints and mediums.\u003c\/p\u003e\n\u003cp class=\"whitespace-pre-wrap break-words\"\u003eWhen used as a paint thinner, Shellsol T completely evaporates within 6-8 hours, leaving your paint film pure and residue-free. While this solvent has minimal odour compared to Turpentine, proper ventilation is still essential for safe use.\u003c\/p\u003e","brand":"Wallace Seymour","offers":[{"title":"100ml","offer_id":54789798330743,"sku":"om\/29\/100","price":11.05,"currency_code":"GBP","in_stock":true},{"title":"250ml","offer_id":54789798363511,"sku":"om\/29\/101","price":16.3,"currency_code":"GBP","in_stock":true},{"title":"1lt","offer_id":56915980714359,"sku":null,"price":49.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/wsshell.png?v=1730279250"},{"product_id":"wallace-seymour-lavender-oil","title":"Wallace Seymour Lavender Oil","description":"\u003ch2 id=\"tinymce_scroll_sign\"\u003eDiscover the Benefits of Wallace Seymour Lavender Oil\u003c\/h2\u003e\n\u003cp\u003eLavender oil serves as a natural medium in oil painting, helping to thin paints and adjust their consistency.\u003c\/p\u003e\n\u003cp\u003eArtists use it as a less toxic alternative to turpentine, taking advantage of its pleasant scent and ability to speed up paint drying time. It can also be mixed into glazes, though it tends to evaporate more quickly than other painting oils.\u003c\/p\u003e","brand":"Wallace Seymour","offers":[{"title":"Default Title","offer_id":54955753111927,"sku":"VILO100","price":31.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/lavoil.png?v=1739351860"},{"product_id":"image-transfer-medium","title":"Image Transfer Medium","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTransfer black and white or coloured ink-jet prints, magazine images, photographs, newspaper images etc onto paper, wood and fabric for example T-shirts. Colour leaflet supplied with every pot.\u003c\/span\u003e\u003c\/p\u003e","brand":"Colourcraft","offers":[{"title":"Default Title","offer_id":55002546798967,"sku":"IMG250","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/itm.jpg?v=1740748314"},{"product_id":"sennelier-siccatif-blanc-75ml","title":"Sennelier Siccatif Blanc - 75ml","description":"\u003cp class=\"whitespace-pre-wrap break-words\"\u003eMake your oil paints dry faster with Sennelier Siccatif Blanc. This premium French drying medium accelerates drying time without the excessive yellowing commonly found in other driers.\u003c\/p\u003e\n\u003cp class=\"whitespace-pre-wrap break-words\"\u003e\u003cstrong\u003eWhat it does:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc space-y-1.5 pl-7\"\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eSignificantly reduces drying time of oil paints from days to hours\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eMaintains color brilliance with minimal yellowing effect\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eCreates a more durable and flexible paint film\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eEnables faster layering techniques without risking cracking\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eParticularly effective with naturally slow-drying pigments like cadmiums, cobalts, and titanium white\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"whitespace-pre-wrap break-words\"\u003e\u003cstrong\u003eHow to use it:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc space-y-1.5 pl-7\"\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eShake the bottle gently for 5-10 seconds before each use\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eFor standard oil paints: Add 1 drop of Siccatif Blanc to every pea-sized amount of paint (approximately 0.5ml)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eFor thick impasto: Add 2 drops per pea-sized amount to ensure proper drying throughout\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eFor notoriously slow-drying colors (titanium white, cadmium red, cobalt blue, viridian): Add 1-2 drops per color\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eMix thoroughly with a clean palette knife for at least 30-45 seconds to distribute evenly\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eApply the paint in thin to medium layers (under 2mm thick) for optimal drying effect\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eAllow 12-24 hours drying time before adding new layers depending on humidity and temperature\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eDo not exceed 5% Siccatif Blanc in any mixture (roughly 3-4 drops per tablespoon of paint)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eBest results achieved in environments between 65-75°F (18-24°C) with 40-60% humidity\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eUse only in underpainting and middle layers; avoid using in final glazes as it can affect long-term finish quality\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eClean brushes immediately after use with turpentine or mineral spirits\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eStore tightly closed in a cool, dark place away from direct sunlight and heat sources\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003eUse in a well-ventilated area, as the fumes contain volatile organic compounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"whitespace-pre-wrap break-words\"\u003eFor professional results, combine with Refined Linseed Oil for improved flow while maintaining accelerated drying properties.\u003c\/p\u003e\n\u003cp class=\"whitespace-pre-wrap break-words\"\u003eFrom Sennelier, crafting exceptional artist materials in Paris since 1887. Preferred by professional artists worldwide for its reliability and consistent performance.\u003c\/p\u003e","brand":"Global Art Supplies","offers":[{"title":"Default Title","offer_id":55105506247031,"sku":"S26-135051-75","price":8.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/ssb1.webp?v=1744112933"},{"product_id":"sennelier-flow-n-dry-alkyd-medium-75ml","title":"Sennelier Flow N Dry Alkyd Medium - 75ml","description":"\u003cp\u003eRevolutionise your oil painting process with Sennelier Flow'N Dry Alkyd Medium, a modern solution for artists seeking both improved flow and accelerated drying times. This versatile alkyd-based medium brings professional-level performance to your painting practice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat it does:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDrastically reduces drying time of oil paints to 6-18 hours\u003c\/li\u003e\n\u003cli\u003eEnhances paint flow and leveling for smoother, more consistent applications\u003c\/li\u003e\n\u003cli\u003eMaintains colour brilliance without altering original hues\u003c\/li\u003e\n\u003cli\u003eCreates a strong, flexible paint film resistant to cracking\u003c\/li\u003e\n\u003cli\u003eWorks universally across all oil colours from impasto to glazing techniques\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHow to use it:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStir gently in the container before each use to ensure consistency\u003c\/li\u003e\n\u003cli\u003eFor standard oil paints: Mix 1 part Flow'N Dry to 2-3 parts oil paint for balanced performance\u003c\/li\u003e\n\u003cli\u003eFor fluid glazing techniques: Increase ratio to 1:1 for transparent, fast-drying glazes\u003c\/li\u003e\n\u003cli\u003eFor impasto techniques: Use a 1:4 ratio (medium to paint) to maintain texture while accelerating drying\u003c\/li\u003e\n\u003cli\u003eMix thoroughly on your palette with a palette knife for at least 1 minute to fully incorporate\u003c\/li\u003e\n\u003cli\u003eCan be applied in various thicknesses from thin glazes to moderate impasto (up to 5mm)\u003c\/li\u003e\n\u003cli\u003eAllows for new layers to be applied after 8-12 hours in average conditions\u003c\/li\u003e\n\u003cli\u003eCan be used throughout all layers of a painting from underpainting to final glazes\u003c\/li\u003e\n\u003cli\u003eEffective ratio range: 10-40% medium in paint mixture depending on desired effect\u003c\/li\u003e\n\u003cli\u003eBest results at 65-80°F (18-27°C) with normal humidity levels\u003c\/li\u003e\n\u003cli\u003eEliminates the tacky stage that often occurs with traditional oil paints\u003c\/li\u003e\n\u003cli\u003eCompatible with all oil colours including student and professional grades\u003c\/li\u003e\n\u003cli\u003eClean brushes with standard brush cleaners or mineral spirits immediately after use\u003c\/li\u003e\n\u003cli\u003eStore tightly sealed at room temperature; medium has excellent shelf life up to 3 years\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCan be further modified with small amounts of solvent for even faster drying or increased flow.\u003c\/p\u003e\n\u003cp\u003eFrom Sennelier, blending traditional craftsmanship with modern innovation since 1887. Preferred by contemporary professionals seeking efficiency without sacrificing quality. Studio-tested for consistent performance across all painting conditions.\u003c\/p\u003e","brand":"Global Art Supplies","offers":[{"title":"Default Title","offer_id":55105530200439,"sku":"S26-135511.75","price":9.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/fnd.jpg?v=1744114394"},{"product_id":"galeria-flexible-acrylic-modelling-paste","title":"Galeria Flexible Acrylic Modelling Paste","description":"\u003cp data-start=\"237\" data-end=\"506\" class=\"\"\u003e\u003cstrong data-start=\"237\" data-end=\"273\"\u003eGaleria Flexible Modelling Paste\u003c\/strong\u003e is a lightweight acrylic-based paste that retains flexibility when dry. It belongs to Winsor \u0026amp; Newton’s \u003cstrong data-start=\"378\" data-end=\"395\"\u003eGaleria range\u003c\/strong\u003e, which is known for offering high-quality materials at a more affordable price than their professional series.\u003c\/p\u003e\n\u003cp data-start=\"237\" data-end=\"506\" class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eWinsor \u0026amp; Newton \u003cstrong data-start=\"16\" data-end=\"52\"\u003eGaleria Flexible Modelling Paste\u003c\/strong\u003e is a medium used by artists to build texture and three-dimensional effects on surfaces before painting or for mixing with acrylic paint (note:\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ethat colour will become lighter and more ‘chalky’ and the resulting paste with have reduced body).\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"539\" data-end=\"732\" class=\"\"\u003e\n\u003cp data-start=\"541\" data-end=\"732\" class=\"\"\u003e\u003cstrong data-start=\"541\" data-end=\"563\"\u003eFlexible When Dry:\u003c\/strong\u003e Unlike traditional modeling pastes that can become brittle, this one stays slightly flexible. That makes it suitable for surfaces that might bend or flex (like canvas).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"736\" data-end=\"870\" class=\"\"\u003e\n\u003cp data-start=\"738\" data-end=\"870\" class=\"\"\u003e\u003cstrong data-start=\"738\" data-end=\"759\"\u003eTexture \u0026amp; Relief:\u003c\/strong\u003e Great for creating \u003cstrong data-start=\"779\" data-end=\"790\"\u003eimpasto\u003c\/strong\u003e effects, sculptural textures, or dramatic surface detail before applying paint.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"874\" data-end=\"1031\" class=\"\"\u003e\n\u003cp data-start=\"876\" data-end=\"1031\" class=\"\"\u003e\u003cstrong data-start=\"876\" data-end=\"890\"\u003ePaintable:\u003c\/strong\u003e Once dry, you can paint over it with acrylics. It takes color well, especially if you apply washes or dry brushing to bring out the texture.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1035\" data-end=\"1159\" class=\"\"\u003e\n\u003cp data-start=\"1037\" data-end=\"1159\" class=\"\"\u003e\u003cstrong data-start=\"1037\" data-end=\"1058\"\u003eWhite and Opaque:\u003c\/strong\u003e It dries to a matte, bright white finish but can be tinted with acrylics if you want a colored base.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1161\" data-end=\"1262\" class=\"\"\u003e\n\u003cp data-start=\"1163\" data-end=\"1262\" class=\"\"\u003e\u003cstrong data-start=\"1163\" data-end=\"1176\"\u003eAdhesion:\u003c\/strong\u003e It sticks well to most surfaces like canvas, wood, and board, especially when primed.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":55105943568759,"sku":"ACFGFMP250","price":13.35,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/galmodp.jpg?v=1744124250"},{"product_id":"galeria-extender","title":"Winsor \u0026 Newton Galeria Acrylic Extender — 250ml","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePaint is expensive. The Galeria Extender is an honest, practical medium that addresses that fact directly — a highly economical acrylic medium that increases the volume of paint while maintaining its opacity and quality. Add it to any acrylic colour on the palette and the paint goes further without the colour becoming weak, transparent, or washed out, as it would if water were used to extend it instead.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe key distinction between the Extender and simply adding water is opacity. Water thins and dilutes paint, reducing pigment concentration and causing colour to lose its covering power. The Extender adds volume using an acrylic-based formula that is fully compatible with the paint film, maintaining the structural integrity of the paint and keeping colours opaque and strong. It dries to a matt finish, which adds a further useful quality — for painters who want to reduce the natural satin sheen of Galeria paint to a flatter finish, the Extender serves that purpose simultaneously with its volume-extending function.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBeyond extending paint on the palette, the Extender has additional practical uses. It can be used to thin paint to a more fluid consistency for smooth, even coverage over large areas. Applied directly to the canvas or support before painting, it facilitates blending by keeping the paint surface workable for longer. It can also be used to clean brushes between colour changes during a painting session. All Galeria mediums share the same acrylic binder and are fully intermixable with one another and with Galeria Acrylic paint. Resistant to yellowing.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat does the Galeria Extender actually do?\u003c\/strong\u003e It increases the volume of acrylic paint while maintaining opacity and colour strength. Unlike water, which reduces pigment concentration and covering power, the Extender adds bulk using an acrylic-compatible formula that keeps the paint film stable, opaque, and structurally sound. Colour dries to a matt finish.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs it the same as adding water to the paint?\u003c\/strong\u003e No — this is the key practical difference. Adding water dilutes the paint and reduces opacity, causing colour to lose its covering power. The Extender increases volume without reducing pigment concentration, maintaining the opacity and quality of the colour while making it go further.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDoes it affect the finish of the paint?\u003c\/strong\u003e Yes — paint mixed with Extender dries to a matt finish. This is a useful secondary quality for painters who want to reduce the natural satin sheen of Galeria Acrylic paint.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan it be used for purposes other than extending paint?\u003c\/strong\u003e Yes — it can also be used to thin paint for smoother coverage over large areas, applied to the canvas to facilitate blending, and used to clean brushes between colour changes during a painting session.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs it compatible with other Galeria mediums?\u003c\/strong\u003e Yes — all Galeria mediums share the same acrylic binder and are fully intermixable with each other and with Galeria Acrylic paint.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDoes it yellow over time?\u003c\/strong\u003e No — the Extender is formulated to resist yellowing, keeping the paint film stable and colour-neutral over time.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":55105975845239,"sku":"ACFGE250","price":13.85,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/galexz.jpg?v=1744125321"},{"product_id":"brusho-aquawax","title":"Brusho - AQUAWAX","description":"\u003cp\u003ePaper Batik Medium. For abstract effects on porous surfaces such as :\u003c\/p\u003e\n\u003cp\u003ePaper, card, plaster, unglazed terracotta.\u003c\/p\u003e\n\u003cp\u003eFor Paper Batik designs and techniques. Ready to use liquid wax.\u003cbr\u003eNon-toxic – no heat – no mess. Suitable for use with children of all ages. Ideal for use on paper with Brusho Colours, Aztex Range and Lustre Powders.\u003c\/p\u003e\n\u003cp\u003eUse cold, straight from the bottle.\u003c\/p\u003e\n\u003cp\u003eInstruction sheet sent with each order. VOC, Oil and Solvent free.\u003c\/p\u003e","brand":"Colourcraft","offers":[{"title":"Default Title","offer_id":55171327951223,"sku":"AQU100","price":6.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/aquawax_12.jpg?v=1746110645"},{"product_id":"americana-pearlizing-medium-59ml-ds48","title":"AMERICANA PEARLIZING MEDIUM -59ml DS48","description":"\u003ch1 class=\"main-heading\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cdiv class=\"code\"\u003e\u003c\/div\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":55224275403127,"sku":"ADGPG59","price":3.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/pearlart.jpg?v=1747570143"},{"product_id":"daler-rowney-purified-poppy-oil","title":"Daler-Rowney Purified Poppy Oil — 75ml","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLinseed oil is the most widely used binder and medium in oil painting — but it has one well-documented limitation. On lighter colours, particularly whites, yellows, and pale tints, linseed oil has a tendency to yellow over time as it oxidises, subtly but permanently shifting the colour of the dried paint film. Poppy oil exists specifically to address this problem. Pressed from poppy seeds and purified to a clear, pale oil, it is significantly less prone to yellowing than linseed, making it the preferred medium for mixing with and reducing white and lighter oil colours where colour accuracy over time matters.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDaler-Rowney Purified Poppy Oil is clear in colour, with a slightly thicker and more viscous quality than linseed oil. Mixed into oil paint on the palette, it improves gloss and flow, making colour easier to apply smoothly and evenly. It is particularly valued for transparent glazing with light colours, where the clarity of the oil and its resistance to yellowing help maintain the brightness and accuracy of the colour long after the paint has dried.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe main trade-off versus linseed oil is drying time. Poppy oil is slower drying than linseed — a quality that is actually advantageous for wet-into-wet painting and blending, where a longer working window is helpful, but less suited to layered working where faster drying between sessions is the priority. For this reason many painters use poppy oil selectively — with lighter colours and whites — while continuing to use linseed for mid-tones and darker colours where yellowing is less of a concern. Care should be taken not to use it in excessive proportions, as too high a ratio of poppy oil will prevent the paint film from drying thoroughly.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCompatible with all oil and alkyd colours. Made in the UK by Daler-Rowney.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhy use poppy oil instead of linseed oil?\u003c\/strong\u003e Poppy oil is significantly less prone to yellowing than linseed oil over time, making it the preferred medium for white and lighter oil colours where long-term colour accuracy matters. It also improves gloss and flow when mixed with paint.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDoes poppy oil dry more slowly than linseed?\u003c\/strong\u003e Yes — poppy oil is slower drying than linseed oil. This is an advantage for wet-into-wet and blending techniques but less suited to layered working where quick drying between sessions is needed.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan it be used with all oil colours?\u003c\/strong\u003e Yes — it is compatible with all oil and alkyd colours. It is most commonly used with whites and lighter colours where yellowing of linseed oil would be most visible, while linseed oil is used for mid-tones and darks.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eHow much poppy oil should I add to my paint?\u003c\/strong\u003e Use in small amounts — mix a little into the paint on the palette to improve flow and gloss. Too high a proportion will prevent the paint film from drying thoroughly, so always use the minimum amount needed to achieve the desired consistency and working properties.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan it be thinned with solvents?\u003c\/strong\u003e Yes — it can be thinned with turpentine or low odour mineral spirits to produce a more fluid medium for washes and glazes.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Why use poppy oil instead of linseed oil for oil painting?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Poppy oil is significantly less prone to yellowing than linseed oil over time, making it the preferred medium for white and lighter oil colours where long-term colour accuracy matters. It also improves gloss and flow when mixed with paint.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does Daler-Rowney Purified Poppy Oil dry more slowly than linseed oil?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — poppy oil is slower drying than linseed oil. This is an advantage for wet-into-wet and blending techniques but less suited to layered working where quick drying between sessions is needed.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can Daler-Rowney Purified Poppy Oil be used with all oil colours?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — it is compatible with all oil and alkyd colours. It is most commonly used with whites and lighter colours where yellowing of linseed oil would be most visible, while linseed oil is used for mid-tones and darks.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How much Daler-Rowney Purified Poppy Oil should I add to my paint?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Use in small amounts — mix a little into the paint on the palette to improve flow and gloss. Too high a proportion will prevent the paint film from drying thoroughly, so always use the minimum amount needed to achieve the desired consistency and working properties.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can Daler-Rowney Purified Poppy Oil be thinned with solvents?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — it can be thinned with turpentine or low odour mineral spirits to produce a more fluid medium for washes and glazes.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":55679047172471,"sku":"RDAPPO75","price":9.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/poil.jpg?v=1756301571"},{"product_id":"galeria-gloss-varnish-75ml","title":"Galeria Gloss Varnish - 75ml","description":"\u003cdiv data-test-render-count=\"1\"\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv data-is-streaming=\"false\" class=\"group relative relative pb-3\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 standard-markdown\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWinsor \u0026amp; Newton Galeria Gloss Varnish is a protective finishing coat for acrylic paintings.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis varnish gives your completed artwork a shiny, reflective finish while protecting the paint surface from dust, dirt, and environmental damage. It creates a uniform gloss across your entire painting, which can help intensify colors and make them appear more vibrant.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe varnish is water-based and non-yellowing, so it won't discolor or change the appearance of your work over time. It dries to a clear, transparent finish that won't alter your original colours—it simply adds shine and protection.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHow to use it: Make sure your acrylic painting is completely dry (wait at least 24 hours, though longer is better). Apply the varnish in thin, even coats using a soft, flat brush. You can apply multiple coats if desired, waiting for each layer to dry before adding the next.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe 75ml size is a good starter amount for smaller paintings or for artists who want to try the product before committing to a larger bottle.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eKey benefits:\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eProtects finished paintings from dust and scratches\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eCreates an even, glossy sheen\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eWon't yellow or crack over time\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eEasy to apply and clean up (water-based)\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003ePart of the Galeria range, Winsor \u0026amp; Newton's student-quality line that offers good performance at an accessible price point\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Artstat","offers":[{"title":"Default Title","offer_id":56655169847671,"sku":"ACFGAV75G","price":7.65,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/galglos.jpg?v=1770135943"},{"product_id":"zest-it-oil-paint-diluent-and-brush-cleaner-250ml","title":"Zest-it Oil Paint Diluent and Brush Cleaner — 250ml","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTurpentine and white spirit have been the default solvents for oil painters for generations — effective, yes, but also flammable, toxic, and unpleasant to work with in any space that isn't extremely well ventilated. Zest-it is the alternative that a growing number of oil painters have quietly switched to and never looked back from. Made in the UK using the zest of citrus fruits as its active ingredient, it does everything turpentine and white spirit do — thinning paint, cleaning brushes, removing oil-based media from tools and surfaces — with none of the associated hazards and with a genuinely pleasant orangey citrus smell instead.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eZest-it is non-toxic, non-flammable, biodegradable, and carries no hazard classification — which makes it suitable for use in home studios, shared spaces, and teaching environments where conventional solvents are impractical or undesirable. Despite being free from the harsh chemicals of traditional solvents, it is a high-strength diluent that requires only a small amount to thin paint effectively, and it evaporates without leaving any oily or waxy residue on the canvas or paper.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eFor brush cleaning it is particularly effective — it removes fresh oil paint from all brush types including sable, sable mix, synthetic, and bristle, and can even remove dried paint with a little patience. One of its most practical qualities is that it is reusable: pour the used diluent into a jar, allow the paint sediment to settle out, decant the clear liquid off the top, and it is ready to use again. A single 250ml bottle therefore goes considerably further than a comparable volume of turpentine or white spirit would.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBeyond the studio, Zest-it can also be used around the home to remove oil, grease, tar, soot, and wax from surfaces — a useful additional quality that makes it a versatile household product as well as an artists' material.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIt is compatible with oil paint, oil pastels, oil paint sticks, wax-based media, and oil-based inks. It is not suitable for use with water-mixable oils, acrylics, or other water-based media.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat is Zest-it made from?\u003c\/strong\u003e The active ingredient is citrus zest — derived from the peel of citrus fruits. This gives it both its cleaning and thinning properties and its characteristic pleasant orangey smell. It is non-toxic, non-flammable, and biodegradable.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eCan it be used as a painting medium as well as a brush cleaner?\u003c\/strong\u003e Yes. It works as a diluent for thinning oil paint — particularly useful for the first lean layer, grisaille work, or underpainting, where thinning the paint without adding oil is important. It evaporates without leaving any residue, making it suitable for lean underlayers in traditional fat-over-lean technique.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs it reusable?\u003c\/strong\u003e Yes. Allow used diluent to settle in a jar until the paint sediment sinks to the bottom, then carefully decant the clear liquid and reuse it. This makes a 250ml bottle last considerably longer than a comparable volume of turpentine or white spirit.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat brushes can it be used with?\u003c\/strong\u003e All oil painting brush types — sable, sable mix, synthetic, and hog bristle. It cleans without drying out the bristles, which is a common complaint with harsher solvents. It can remove both fresh and dried oil paint.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs it safe to use indoors?\u003c\/strong\u003e Yes. Zest-it is non-toxic, non-flammable, and carries no hazard classification, making it suitable for home studios and enclosed spaces where conventional solvents would require significant ventilation. As with all art materials, reasonable airflow is always sensible, but it does not present the fume or fire risk associated with turpentine or white spirit.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat media is it compatible with?\u003c\/strong\u003e Oil paint, oil pastels, oil paint sticks, oil bars, wax-based media, and oil-based inks. It is not suitable for water-mixable oil paints, acrylics, or water-based media.\u003c\/p\u003e","brand":"Seawhite","offers":[{"title":"Default Title","offer_id":57064255652215,"sku":"DABCZ250","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/zestdil.webp?v=1777719301"},{"product_id":"royal-langnickel-square-brush-basin","title":"Royal \u0026 Langnickel Square Brush Basin","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA brush washing basin that takes the process seriously. The Royal \u0026amp; Langnickel Square Brush Basin is a heavy-duty plastic wash basin divided into three distinct compartments — soaking, scrubbing, and rinsing — each serving a specific purpose in the brush cleaning process, and together producing a considerably more thorough clean than a single jar of water allows.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe three-compartment design is the key practical quality. The soaking compartment suspends heavily soiled brushes on three brush rests that hold the bristles in solvent or water without the tips resting on the bottom — which is the single most common cause of brush damage during cleaning, as resting on the tip bends and permanently deforms the bristles. The scrubbing compartment has grooved ridges moulded into the bottom that work the bristles against a textured surface to loosen and remove pigment more effectively than swirling in plain water. The rinsing compartment provides a clean final rinse that removes the last traces of pigment without recontaminating the brush from the scrubbing residue.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe basin is heavy-duty — solid, stable, and weighted enough to stay in place during energetic scrubbing without sliding around the desk. It has the capacity to store up to 22 brushes, making it a practical all-in-one solution for a complete brush kit. Suitable for water-based media — watercolour, gouache, acrylic, and ink — and for use with water or appropriate solvents for oil painting.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eCompartments:\u003c\/strong\u003e 3 — soaking, scrubbing, rinsing\u003cbr\u003e\u003cstrong\u003eBrush rests:\u003c\/strong\u003e 3 — suspend bristles during soaking to prevent tip damage\u003cbr\u003e\u003cstrong\u003eBrush storage capacity:\u003c\/strong\u003e 22 brushes\u003cbr\u003e\u003cstrong\u003eConstruction:\u003c\/strong\u003e Heavy-duty plastic\u003cbr\u003e\u003cstrong\u003eSuitable for:\u003c\/strong\u003e Water-based media and solvents\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eWhy does a brush basin have three compartments?\u003c\/strong\u003e\u003cbr\u003eEach compartment serves a different purpose — soaking loosens heavy pigment build-up without damaging bristles, scrubbing removes pigment using grooved ridges in the bottom, and rinsing provides a clean final wash. Using separate compartments prevents clean water becoming immediately contaminated and gives a more thorough clean than a single water jar.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eWhy are brush rests important during soaking?\u003c\/strong\u003e\u003cbr\u003eResting brushes on their tips during soaking permanently bends and deforms the bristles. The three brush rests in the soaking compartment suspend the bristles in the water or solvent without any contact with the bottom, preserving the shape of the brush through the soaking process.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eCan it be used with solvents for oil painting?\u003c\/strong\u003e\u003cbr\u003eYes — the heavy-duty plastic construction is suitable for use with mineral spirits and low-odour solvents as well as water. Always ensure adequate ventilation when using solvents.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eHow many brushes can it store?\u003c\/strong\u003e\u003cbr\u003eUp to 22 brushes can be stored in the basin — a practical capacity for a full working brush kit.\u003c\/p\u003e\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Why does a brush basin have three compartments?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Each compartment serves a different purpose — soaking loosens heavy pigment build-up without damaging bristles, scrubbing removes pigment using grooved ridges in the bottom, and rinsing provides a clean final wash. Using separate compartments prevents clean water becoming immediately contaminated and gives a more thorough clean than a single water jar.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Why are brush rests important during soaking?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Resting brushes on their tips during soaking permanently bends and deforms the bristles. The three brush rests in the soaking compartment suspend the bristles in the water or solvent without any contact with the bottom, preserving the shape of the brush through the soaking process.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Can the Royal \u0026 Langnickel Brush Basin be used with solvents for oil painting?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes — the heavy-duty plastic construction is suitable for use with mineral spirits and low-odour solvents as well as water. Always ensure adequate ventilation when using solvents.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How many brushes can the Royal \u0026 Langnickel Square Brush Basin store?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Up to 22 brushes can be stored in the basin — a practical capacity for a full working brush kit.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e","brand":"Royal and Langnickel","offers":[{"title":"Default Title","offer_id":57224274772343,"sku":"RD325","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0076\/2288\/5428\/files\/sbb1.webp?v=1782469265"}],"url":"https:\/\/craftandcanvas.live\/collections\/mediums.oembed?page=2","provider":"Craft and Canvas","version":"1.0","type":"link"}