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The mid-grey tone sits naturally with graphite, charcoal, pencil, and ink, and provides an excellent base for work where subtle tonal control is the priority. White and light media — chalk, white pencil, white ink, light pastels — lift away from the grey ground with real brilliance, while darker media perform just as confidently as they would on white paper. The cool neutrality of the ground suits urban sketching, architectural drawing, figure work, and any subject where a warm, earthy tone would feel at odds with the mood of the piece.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe paper is 140gsm Corn Crush — made from recycled corn cob by-products from the food industry, processed using hydroelectric power, and sized internally for extra wet strength that makes it more capable with wet media than standard coloured or toned paper. It handles pencil, graphite, charcoal, pastel, pen and ink, fine liner, watercolour washes, light acrylic, and mixed media. The wide 3\/4\" spiral wire binding opens completely flat, providing full access to every millimetre of the page. 30 leaves per book. Acid-free. Made in the UK by Seawhite of Brighton.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable in A4 portrait and A3 portrait.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003ePaper weight:\u003c\/strong\u003e 140gsm \u003cstrong\u003eLeaves:\u003c\/strong\u003e 30 \u003cstrong\u003eOrientation:\u003c\/strong\u003e Portrait \u003cstrong\u003eBinding:\u003c\/strong\u003e Wide 3\/4\" spiral wire \u003cstrong\u003ePaper:\u003c\/strong\u003e Corn Crush — recycled corn cob by-product, acid-free \u003cstrong\u003eMade in:\u003c\/strong\u003e UK using hydroelectric power\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat is the difference between the Grey Crush and Tan Crush sketchbooks?\u003c\/strong\u003e The only difference is the paper tone — Grey Crush has a cool mid-grey ground, Tan Crush has a warm earthy tan ground. Both use the same 140gsm Corn Crush paper made from recycled corn cob by-products, both have the same binding, the same sheet count, and the same all-media capability. The choice between them is a matter of which ground tone suits your subject matter and working style.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhy work on grey paper?\u003c\/strong\u003e A cool grey ground suits subjects and moods where warmth would be inappropriate — urban and architectural sketching, figure drawing, still life, and any work where a neutral, contemporary quality is the aim. White and light media lift brilliantly from the grey surface, while dark media perform just as well as on white paper. The grey tone works as the mid-tone of the composition, allowing lights and darks to be built simultaneously.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat media can be used on the Grey Crush paper?\u003c\/strong\u003e Pencil, graphite, charcoal, pastel, pen and ink, fine liner, white chalk, coloured pencils, watercolour washes, light acrylic, and mixed media. The internal sizing gives the paper extra wet strength for wet media applications.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDoes the binding allow the book to open flat?\u003c\/strong\u003e Yes — the wide 3\/4\" spiral wire binding opens completely flat, giving full access to the usable surface of every page right to the edges.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eIs it environmentally friendly?\u003c\/strong\u003e Yes — made from recycled corn cob by-products using hydroelectric power. 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The Seawhite ECO Tan Crush range is made using Corn Crush paper, produced from the recycled by-products of the food industry — specifically corn cobs that would otherwise be waste — processed and manufactured using hydroelectric power. The result is an acid-free, 140gsm all-media paper with a natural, warm tan tone that offers something both practically and aesthetically distinctive from a standard white cartridge sketchbook.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe tan ground is the defining quality. A warm, earthy mid-tone that sits naturally with pencil, graphite, charcoal, and ink, it provides the kind of toned ground that artists have traditionally prized — allowing both lights and darks to be worked against the paper colour rather than having to establish all tones from white. White and light-coloured media — chalk, white pencil, white ink, light pastels — show up clearly and brilliantly against it, while darker media read just as well as they would on white paper. The surface texture is subtly interesting, with a slight natural variation that gives marks a character that smooth white cartridge cannot replicate.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe paper is sized for wet media as well as dry, handling watercolour washes, light acrylic, pen and ink, and mixed media work alongside pencil, charcoal, graphite, pastel, and fine liner. The spiral binding is a wide 3\/4\" wire that opens completely flat and allows every millimetre of the page to be used right to the edge — a practical detail that matters when working to the full extent of a large format sheet. Each book contains 30 leaves. Made in the UK by Seawhite of Brighton.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAvailable in A4 portrait and A3 portrait.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003ePaper weight:\u003c\/strong\u003e 140gsm \u003cstrong\u003eLeaves:\u003c\/strong\u003e 30 \u003cstrong\u003eOrientation:\u003c\/strong\u003e Portrait \u003cstrong\u003eBinding:\u003c\/strong\u003e Wide 3\/4\" spiral wire \u003cstrong\u003ePaper:\u003c\/strong\u003e Corn Crush — recycled corn cob by-product, acid-free \u003cstrong\u003eMade in:\u003c\/strong\u003e UK using hydroelectric power\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat is Corn Crush paper?\u003c\/strong\u003e Corn Crush is Seawhite's ecological paper made from the recycled by-products of the food industry — specifically corn cobs — which are processed and manufactured using hydroelectric power. 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The warm earthy tone also gives finished drawings a natural warmth and coherence.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eWhat media can be used on the Tan Crush paper?\u003c\/strong\u003e Pencil, graphite, charcoal, pastel, pen and ink, fine liner, white chalk, coloured pencils, watercolour washes, light acrylic, and mixed media. 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